Credits

  

Thank you to the commission partners
Danielle Arnaud Contemporary Art
Gasworks Gallery
Lambeth Arts
Vauxhall St Peter's Heritage Centre

Thank you to the sponsor
Lambeth Riverside

Thank you to all the PHILs
Phillip Scott, Phil Colley, Louise Philpot , Philippa Underwood, Phil Hogg, Philip Moore, Phil Seager, Philip Nipah, Philippa Bessant, Phillip Johnson, Philip Norman, Phil Rigby, Philippa Crerar, Simon Phillips, Philippe Ciompi

 Thank you to all the musicians
Frances Bucknall, Dan Cornford, Martin Fenn, Emily Isaac, Rachel Ives, Geoffrey Lynn, Dominic Moore, Mila Mustakova, George Peniston, Robert Poole, Will Routledge, Rebecca Shorrock, Amanda Smith, Jo St. Leon & Sioni Williams
Thank you to all the following who have worked on PHIL
Danielle Arnaud (production)
Jack Baker (technical support)
Beaconsfield (hardware)
Rupert Bond (rehearsal conducting)
Fiona Boundy (production management)
Rupert Carey (technical support and still photography)
Andrea Crociani (filming and technical support)
Serge Dorny (Chief Executive and Artistic Director, London Philharmonic Orchestra)
Marion Ellerby (London Philharmonic Orchestra)
Ella Gibbs and Muxa (camera hire and filming)
Katherine Green (website design, Red Leader Industries)
Mimi Hansmann (artist's assistant)
Julie Lomax (production)
Richard Mallett (London Philharmonic Orchestra, Community Production)
Amy Plant (co-production, scheduling, consultation, design and filming)
Riverside Community Development Trust
Myles Stawman (research consultation)
spc.org (live webcast)
Anna Symes (performance assistant)
Stefan Szczelkun (documentary writing)
Paul Whitty (music consultant)
Bettina Wilhelm (PHIL research)
Synchronisation assistants at the Beaufoy Institute

A special thank you to co-producers
Amy Plant and Richard Mallett